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With later shallowerĮquipment, the hole was patched but the outline can still be seen today. Protrude into an enclosure out into the alley. Vitaphone horn at the Tower was too deep for the space available behind the screen soĪ hole was poked into the back wall and the rear of the horn allowed to Pennsylvanians was included on the opening program. area theatre that opened running sound film on its initial bill.

And it also gets the prize as the first L.A. Tower was the first theatre downtown wired for Vitaphone and regularly ran Evidently the equipment wasn't used at the Egyptian after those two engagements.

Both features were basically silents with added music and effects tracks but there were also Vitaphone shorts on both programs that synchronized the sound with people speaking and singing. It was also used for 'The Better Ole,' the theatre's next film. But interest soon faded and there hadn't been any sound film in town after that until the Egyptian was wired for Vitaphone for the tail end of the run of 'Don Juan' in 1926. Sound at the Tower: There had been several small downtown theatres ( Royal, Horn's Big Show) running synchronized sound films using the pneumatically amplified Gaumont Chronophone process in 19.

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The full page of congratulatory ads in the October 12 issue of the Times. The Tower wasĭesigned just for movies - the 'stage' is only 7 feet deep. Had previously held the 650 seat Garrick.

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His compactįloor plan got almost 1,000 seats plus retail store space onto a lot that Terracotta clock tower as well as elaborate detailing on both theīroadway and 8th Street sides of the building. The lot is only 50 feet wide so he made it eye catching with a Lee was 27 and this was his first theatre design. Prior to coming to Los Angeles, Gumbiner had operated a circuit of fourteen small theatres in Chicago.īegan March 6, 1927. We see that house advertised on the Tower's construction fence. Gumbiner was also involved in the operation of the Cameo. One of Lee's early sketches showed the new theatre with signage calling it the Garrick. Garrick until 1926 when plans were hatched for the Tower. Office building on the site but that didn't happen. The previous building on the site, the Garrick Theatre, Additional sketches and plans from the UCLA collection include: color exterior rendering | interior section - pencil drawing | interior section sketch - wall treatment | floor plans | additional S. Charles Lee office of his vision of the palatial lobby. Means of a 'special radio broadcasting device.' Up behind the booth was aĪ drawing from the S. Plush basement lounge, the sound of the Wurlitzer could be heard by The Times noted in an opening day article that in the Left was a cry room, which they called a 'mother's room,' a new featureįor L.A. Stenciled on the light-tinted walls.' At the top of the balcony house Where the faces of Mother Goose, Bo-Peep and the Three Bears have been 'Kiddie cars and sand piles for the children in the 'playground room,' The theatre opened with aĬarrier air conditioning system, an electric seat indicator panel, neonĬove lighting, and the organ console on a hydraulic TimesĪrticle saying he spent about $750,000 on the building.ĭesign sported many up-to-date features. Construction cost was reported as $500,000 in the Motion The theatre was a blend of French baroque, Moorish and Spanish designĮlements. Making with, among other items, a roll of film unspooling.

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Stained glass above the entrance is dedicated to the art of movie Gumbiner, who wouldįour years later hire him to do the much more opulent Los Angeles Theatre. Charles Lee designed the Tower Theatre for H.L.

In 1930 the instrument was removed and reinstalled at the Los Angeles Theatre for that theatre's January 1931 opening. The OctoExhibitors Herald reported that the cost was $60,000.

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Organ: It was a 2 manual 10 rank Wurlitzer. The balcony seats were removed as part of the Apple conversion to retail. The main floor seats were removed decades ago for a film shoot. The firm also has the Los Angeles, Palace and State theatres.Īpple websites: | Seating: 906.

The Tower Theatre is owned by the Delijani family's Broadway Theatre Group. Thanks to Brady Hunsberger for his June 2021 photo, one that appeared on the DTLA Development Facebook page. Nichelstepper was the initial manager and the 'policy is straight pictures with no presentation acts.' An article in the Octoissue of Exhibitors Herald noted that J. The feature was accompanied by Stephen Boisclair on Opened: Octowith 'The Gingham Girl' (a silent) as the